Daisy Lamb
Acrylic, Collage and Pastel on Wood Panel | 11×14 inches | 2026 | Divine Feminine
Somewhere in a field of daisies, a lamb is having the best day of its life.
It doesn't know this yet — it doesn't have the concept of best days, or days at all, or the particular human habit of measuring joy against what came before and what might come after. It simply is, completely and without reservation, in the middle of all this white and yellow and the extraordinary colour explosion of a world seen for the first time with eyes that don't yet know they're supposed to find any of it ordinary.
Daisy Lamb is a painting that vibrates with the particular frequency of new life in full colour. The daisies are enormous — not botanically accurate, not carefully observed, but emotionally true, painted with the loose confident joy of someone who loves daisies the way children love daisies, which is to say completely and without analysis. Their white petals catch the light with a thickness and texture that makes them almost three dimensional, pushing forward from the canvas with the same irrepressible energy as the real thing pushing through spring soil.
And the lamb — small, golden, perfectly still in the middle of all that colour and movement — has the quality of something that arrived recently and is taking its time deciding what it thinks about everything it finds here. The verdict, from the expression of absolute calm contentment, appears to be favourable.
The background is pure joy — lavender and pink and cobalt blue and a slash of hot orange that has absolutely no business being this beautiful next to all that soft purple and yet is — the kind of colour combination that only works when you stop thinking about whether it works and simply commit. Red dots punctuate the upper left like tiny celebrations. The whole surface has the layered, textured, built-up quality of a painting that was made with full physical engagement — paint applied, removed, reapplied, the surface becoming a record of the making as much as a depiction of the subject.
Part of the Divine Feminine series — because innocence, as the series understands it, is not limited to humans. It lives in lambs in daisy fields. It lives in the first days of everything. It lives in the particular quality of a creature that has not yet been told that the world is difficult, standing in a field of white flowers on a day of extraordinary colour, simply being alive.
✦ Original, one-of-a-kind painting ✦ Acrylic, collage and pastel on wood panel ✦ 11 × 14 inches ✦ Created 2026 ✦ Part of the Divine Feminine series ✦ Free worldwide shipping
A lamb. A field of daisies. The best day of its life.
Daisy Lamb
Acrylic, Collage and Pastel on Wood Panel | 11×14 inches | 2026 | Divine Feminine
Somewhere in a field of daisies, a lamb is having the best day of its life.
It doesn't know this yet — it doesn't have the concept of best days, or days at all, or the particular human habit of measuring joy against what came before and what might come after. It simply is, completely and without reservation, in the middle of all this white and yellow and the extraordinary colour explosion of a world seen for the first time with eyes that don't yet know they're supposed to find any of it ordinary.
Daisy Lamb is a painting that vibrates with the particular frequency of new life in full colour. The daisies are enormous — not botanically accurate, not carefully observed, but emotionally true, painted with the loose confident joy of someone who loves daisies the way children love daisies, which is to say completely and without analysis. Their white petals catch the light with a thickness and texture that makes them almost three dimensional, pushing forward from the canvas with the same irrepressible energy as the real thing pushing through spring soil.
And the lamb — small, golden, perfectly still in the middle of all that colour and movement — has the quality of something that arrived recently and is taking its time deciding what it thinks about everything it finds here. The verdict, from the expression of absolute calm contentment, appears to be favourable.
The background is pure joy — lavender and pink and cobalt blue and a slash of hot orange that has absolutely no business being this beautiful next to all that soft purple and yet is — the kind of colour combination that only works when you stop thinking about whether it works and simply commit. Red dots punctuate the upper left like tiny celebrations. The whole surface has the layered, textured, built-up quality of a painting that was made with full physical engagement — paint applied, removed, reapplied, the surface becoming a record of the making as much as a depiction of the subject.
Part of the Divine Feminine series — because innocence, as the series understands it, is not limited to humans. It lives in lambs in daisy fields. It lives in the first days of everything. It lives in the particular quality of a creature that has not yet been told that the world is difficult, standing in a field of white flowers on a day of extraordinary colour, simply being alive.
✦ Original, one-of-a-kind painting ✦ Acrylic, collage and pastel on wood panel ✦ 11 × 14 inches ✦ Created 2026 ✦ Part of the Divine Feminine series ✦ Free worldwide shipping
A lamb. A field of daisies. The best day of its life.
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